"The entrance of the soprano Meechot Marrero took the stage to another step at the highest musical level displayed throughout the evening, due to the beauty and strength that emanates from her presence. "

Luis Enrique Juliá for El Nuevo Día. West Side Story Suite No. 1 with the Puerto Rico Symphony Orchestra

Puerto Rican Soprano

Press

"Chamber maid Adele is the sensational discovery of the evening: the petite Puerto Rican Meechot Marrero, proves as an enchanting "innocence from the country" not only her acting talent, but also her singing talent.”
Volker Blech
Volker Blechmorgenpost.de
"In the very demanding vocal part of Cunegonde, Meechot Marrero, a young Puerto Rican soprano, has literally captivated the audience thanks to her beautiful physique, unmistakable voice, excellent technique and a great scenic temperament.”
-Irina Sorokina
-Irina Sorokinaapemusicale.it
"Like all singers on this evening, she has a sensational sense of witty timing, vocally only surpassed by her petite chamber maid Adele, the Puerto Rican Meechot Marrero.”
Maria Ossowski
Maria Ossowskibr-klassik.de
"Meechot Marrero's young face (L'Innocente) is an unadulterated mirror of her feelings and she sings with a fresh voice.”
konzertkritikopernkritikberlin.com
Previous
Next
More about Meechot
Meechot Marrero in Studio

"Cunegonde is played this time by the Puerto Rican soprano with warm timbre Meechot Marrero. The virtuoso interpretation of her solo on a Pole Dance bar leaves the audience excited by her ability to master a voluble song in the treble at the same time as a choreography also complex, and a staging forcing her to adopt bipolar facial attitudes over very short times. The audience gives her applause as sparkling as her green sequined dress.”

- William Goutfreind, olyrix.com
Listen to my music
Facebook-f Instagram

"In the audience's favour, however, it was not the guest stars, but ensemble member Meechot Marrero who made her role debut as Liù… she made the role very touching with her beautiful voice and served Piani you don't hear every day.”

-festspiele-forum.de

100 seconds with: Meechot Marrero at Deutsche Oper Berlin, 2019

Johann Strauß: DIE FLEDERMAUS

Michael Hirsch und Henry Purcell: DIDO [Making-of]

François Sarhan: NACHT BIS ACHT at Deutsche Oper Berlin

Annechien Koerselman DAS GEHEIMNIS DER BLAUEN HIRSCHE [Making-of]

"The figure of

Meechot Marrero

was then projected gigantic, singing Bernstein's standard “Somewhere” from the wonderful color palette of her unique vocal cords, with a feeling we had rarely heard."

Luis Enrique Juliá for El Nuevo Día.
West Side Story Suite No. 1 with the Puerto Rico Symphony Orchestra